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I’m glad to you are reading this, because which means you are interested in shopping for an Oud! The Oud is an interesting instrument with an extended history. I’ll provide you with some strategies and suggestions when looking to your first Oud.

TYPES OF OUDS

You’ll first have to know what kind of Oud you need to buy, because there are several types of Ouds available: Arabic Ouds, Turkish Ouds, Iraqi Ouds, and Iranian Ouds.

ARABIC OUDS

Arabic Ouds are by far the preferred Ouds available. You’ll discover these used within the music of North Africa, the Arabian Peninsula, and the Levant. They are known for a nice, deep, round sound, with very low sustain. Low maintain will not be a bad thing, in actual fact, it is desirered sound. There is a very wide range of quality that can be found in this category, from ornamental trinkets to exquisite professional instruments.

TURKISH OUDS

Turkish Ouds are quite a unique animal. Turkish Ouds are brighter as they’re tuned at a higher pitch than Arabic Ouds. They are also constructed with a thinner soundboard creating a lighter and brighter tone and timbre. A buddy of mine who builds Ouds will even sand down his soundboard a little bit just to get more of that Turkish sound. Additionally they try to reduce the quantity of bracing used on the soundboard so it resonates more. The Turkish Oud is a minimum of an inch shorter in scale than the Arabic Ouds as well. The nut is nearly non existent making a tone with more buzz. The difference between Arabic Ouds and Turkish Ouds is similar to the distinction between Classical guitars and Flamenco guitars.

Turkish Ouds may be a very good bet for a beginner because the motion will likely be low making it simple to play. Additionally, inexpensive factory built models tend to be quite trustworthy and well-built.

IRAQI OUDS

Iraqi Ouds may have a floating bridge which means that the bridge shouldn’t be fixed to the wood face. This additionally provides a brighter tone. The bridge is much like the construction of some Mandolins and Irish Bouzoukis, where the strings are connected to the bottom of the instrument instead of the bridge. This is the desirered Oud of Nasser Shamma and Munir Bashir. I personally love the sound of those Ouds, but some individuals don’t like them either. It all is determined by your preference and the sound that you just wish to make.

IRANIAN OUDS

Iranian Ouds are once more a very different breed. They’re called Barbat in Farsi and are the fruits of research into the design of historical Ouds in Middle Jap art and literature. Apparently, the Oud was an essential instrument in Iran but for some reason fell out of use in Iran and became crucial instrument in Arab music. The Barbat was reinvented in just the final 30 years in Iran by one particular master luthier. He made the body smaller permitting more playability further down the neck. The bowl shape is less wide, but slightly deeper, making it easier to hold and giving the bass notes a punchy sound. The bass sound is deep, punchy and powerful, but the high finish is bit weaker than Arabic Ouds. It fits well into the sound required for Iranian music and ensembles.

ACTION

In general, when buying an Oud an essential part is making sure it has low action. Action is the term for the space between the fingerboard and the strings. If the strings are close to the the fingerboard it will likely be easier to play. This is essential because it will make or break your experience and really dampen your temper, specially when placing in a whole lot of practice attempting to improve your technique. An Oud with high motion will be hard to progress past the basics. Ouds are usually not built with truss rods like guitars so the neck is not adjustable. It is higher to see the Oud for yourself to find out how the motion is. If you are buying online, ask for pictures of the neck from the side in case you are in doubt.

USE THE PROPER STRINGS

It is necessary not to put too heavy gauge strings in your Oud, particularly when you have purchased a cheap Oud. Oud strings of many types and gauges could be ordered on-line so don’t risk placing heavy classical guitar strings on it. Also, in the event you buy an Arabic Oud, don’t put D’Addario Turkish Oud strings on it. They are meant for a distinct tuning, and in case you use that tuning you might put more pressure in your Oud than necessary.

LOW QUALITY OR HIGH QUALITY

In case you are already a musician and know a thing or about tone woods, then use the standards you know greatest when looking for a decent Oud. Better quality Ouds will naturally use ebony tuning pegs, ebony fingerboard, and a stable spruce top, which could also be made of items of spruce glued and braced together. Other woods used for the bowl back are maple, walnut, palisander, and padouk. When you can inform the Oud is made out of these woods, then you’re stepping into more severe craftsmanship.

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