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I’m glad to you might be reading this, because that means you have an interest in shopping for an Oud! The Oud is a fascinating instrument with an extended history. I’ll offer you some suggestions and suggestions when looking to your first Oud.

TYPES OF OUDS

You’ll first have to know what kind of Oud you want to purchase, because there are several types of Ouds available: Arabic Ouds, Turkish Ouds, Iraqi Ouds, and Iranian Ouds.

ARABIC OUDS

Arabic Ouds are by far the most well-liked Ouds available. You will find these used within the music of North Africa, the Arabian Peninsula, and the Levant. They’re known for a pleasant, deep, round sound, with very low sustain. Low maintain will not be a bad thing, in actual fact, it is choosered sound. There is a very wide range of quality that may be found in this category, from decorative trinkets to exquisite professional instruments.

TURKISH OUDS

Turkish Ouds are quite a unique animal. Turkish Ouds are brighter as they are tuned at a higher pitch than Arabic Ouds. They’re also built with a thinner soundboard creating a lighter and brighter tone and timbre. A good friend of mine who builds Ouds will even sand down his soundboard a little bit just to get more of that Turkish sound. In addition they attempt to decrease the amount of bracing used on the soundboard so it resonates more. The Turkish Oud is a minimum of an inch shorter in scale than the Arabic Ouds as well. The nut is almost non existent creating a tone with more buzz. The distinction between Arabic Ouds and Turkish Ouds is similar to the distinction between Classical guitars and Flamenco guitars.

Turkish Ouds could also be a superb guess for a newbie because the motion will likely be low making it easy to play. Also, cheap factory built models tend to be quite trustworthy and well-built.

IRAQI OUDS

Iraqi Ouds might have a floating bridge which means that the bridge is just not fastened to the wood face. This also provides a brighter tone. The bridge is much like the construction of some Mandolins and Irish Bouzoukis, where the strings are connected to the underside of the instrument instead of the bridge. This is the preferred Oud of Nasser Shamma and Munir Bashir. I personally love the sound of these Ouds, but some individuals don’t like them either. It all depends on your desire and the sound that you want to make.

IRANIAN OUDS

Iranian Ouds are again a really completely different breed. They are called Barbat in Farsi and are the end result of research into the design of historical Ouds in Center Japanese art and literature. Apparently, the Oud was an necessary instrument in Iran but for some reason fell out of use in Iran and became a very powerful instrument in Arab music. The Barbat was reinvented in just the last 30 years in Iran by one particular master luthier. He made the body smaller permitting more playability additional down the neck. The bowl form is less wide, however slightly deeper, making it easier to hold and giving the bass notes a punchy sound. The bass sound is deep, punchy and powerful, but the high finish is bit weaker than Arabic Ouds. It fits well into the sound required for Iranian music and ensembles.

ACTION

Usually, when buying an Oud an vital part is making positive it has low action. Action is the term for the distance between the fingerboard and the strings. If the strings are near the the fingerboard it can be easier to play. This is necessary because it will make or break your expertise and really dampen your temper, specially when placing in a variety of observe making an attempt to improve your technique. An Oud with high action shall be hard to progress beyond the basics. Ouds will not be constructed with truss rods like guitars so the neck will not be adjustable. It is better to see the Oud for yourself to determine how the action is. In case you are buying on-line, ask for footage of the neck from the side if you’re in doubt.

USE THE PROPER STRINGS

It is vital to not put too heavy gauge strings in your Oud, particularly if in case you have purchased a cheap Oud. Oud strings of many types and gauges might be ordered on-line so don’t risk putting heavy classical guitar strings on it. Additionally, in case you purchase an Arabic Oud, don’t put D’Addario Turkish Oud strings on it. They’re meant for a different tuning, and should you use that tuning you may put more pressure in your Oud than necessary.

LOW QUALITY OR HIGH QUALITY

If you are already a musician and know a thing or two about tone woods, then use the standards you know best when looking for a good Oud. Better quality Ouds will naturally use ebony tuning pegs, ebony fingerboard, and a strong spruce top, which may be made of two items of spruce glued and braced together. Other woods used for the bowl back are maple, walnut, palisander, and padouk. If you can inform the Oud is made out of those woods, then you are moving into more critical craftsmanship.

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