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There are lots of misunderstandings about musicians. These misconceptions exist even in educated societies around the world. While they apply to artists generally, our focus here is with music.

One false impression is that the musician has to be a “starving artist” and live a poor lifestyle. Music, just like another profession, has those who succeed financially and those who do not and those in between. You see wealthy pop and rock stars and you see buskers with jars on the street. Monetary success is independent of expertise, and never necessarily particular to any one trade either.

An interesting thing to note is that music itself is actually a relatively costly business so far as professional musicians are concerned. Instruments and different equipment plus their maintenance and likewise spaces can be quite costly. Quality lessons, a obligatory investment, usually are not precisely cheap. All companies have their overhead and working expenses. And doing music vocationally falls into this category, subsequently it requires proper business acumen and wonderful monetary planning to ensure solvency and viability. And there are actually professional musicians in this world who will not be “starving” and doing just fine.

Another false concept is that musicians have to be somewhat loopy or unstable, and this has someway change into related with talent. Expertise stands alone and is its own area.

Oppressive people created this false notion in an effort to keep creativity down. Anything good, powerful and artistic threatens sure individuals whose only intention is to destroy. This, incidentally, explains the prevalence of drugs in rock music. It’s all calculated. Musicians, because they’re inventive and inventive, are vulnerable and sometimes targets for suppression.

Musicians, like any other human being, have emotions and feelings. Because they are under more judgement and evaluation, akin to during competitions or academic jury exams, they develop into more prone to attacks by those who use that as an avenue primarily to hurt others, or by those who are simply insensitive. Contradictory evaluations between judges also can cause great confusion.

Being expressive, joyful, insouciant and humorous can all come under the heading of creativity, so this too has also been falsely related with being crazy or neurotic.

Being fairly uninhibited is usually frowned upon in our society, the place we’re all expected to behave in a certain way, like cattle. When a musician is in a transcendental moment, he could appear somewhat crazy to a more ordinary person. A real example was a composer who was walking down the road and rapidly had a spark of creativity and he started “thinking out loud” with his artistic process, making rhythmic hand and body gestures. Some passersby might need thought there was something flawed with him, not understanding that he was merely having a transcendental or creative moment.

One widespread fallacy is that it is someway okay for a musician to play for free. The “pay to play” concept is sadly prevalent. Would one ask a plumber to return fix the sink without cost? Not if he wants to get his sink fixed. Imagine it or not, an ad was placed lately in a certain classifieds part from a restaurant owner seeking a band to return perform at his restaurant free of charge with the inadequate change of “promoting themselves and selling albums”. As silly as this sounds, it is all too common. Music instructors often get asked without spending a dime lessons. While there is nothing improper with doing volunteer work to assist deserving underprivileged individuals, that is different. Would one ask an accountant to do taxes without cost? Once more, same principle.

Another improper thought about musicians is that their physical appearance, behavior or demeanor needs to be uncommon, totally different or even weird. This gets imposed rather a lot but is unnecessary. It is an incorrect habit in many societies. Image is image and irrelevant to demonstration of talent.

It is usually commonly thought that musicians are overly sensitive and emotionally frail, who collapse easily under the pressures of life. As mentioned earlier, a musician, like some other human being, has emotions and sanity or insanity. However, quite the opposite, the musician has a sure advantage, for music can be a method of healing and venting of trauma and therefore therapeutic to perform. This causes an awesome avenue for reduction and usually results in greater mental and emotional security.

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