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There are lots of misunderstandings about musicians. These misconceptions exist even in educated societies around the world. While they apply to artists in general, our focus here is with music.

One false impression is that the musician must be a “starving artist” and live a poor lifestyle. Music, just like some other profession, has those who succeed financially and those that don’t and those in between. You see wealthy pop and rock stars and also you see buskers with jars on the street. Monetary success is independent of talent, and never essentially particular to any one industry either.

An interesting thing to note is that music itself is definitely a relatively costly industry so far as professional musicians are concerned. Instruments and other equipment plus their upkeep and in addition areas might be quite costly. Quality lessons, a mandatory funding, should not precisely cheap. All businesses have their overhead and working expenses. And doing music vocationally falls into this category, due to this fact it requires proper enterprise acumen and wonderful financial planning to make sure solvency and viability. And there are actually professional musicians in this world who are usually not “starving” and doing just fine.

One other false concept is that musicians need to be somewhat loopy or unstable, and this has someway grow to be related with talent. Expertise stands alone and is its own area.

Oppressive people created this false notion in an effort to keep creativity down. Anything good, powerful and artistic threatens sure people whose only intention is to destroy. This, incidentally, explains the prevalence of drugs in rock music. It’s all calculated. Musicians, because they’re creative and creative, are vulnerable and often targets for suppression.

Musicians, like every other human being, have emotions and feelings. Because they are under more judgement and evaluation, reminiscent of during competitions or academic jury exams, they turn out to be more prone to attacks by those that use that as an avenue primarily to hurt others, or by those that are simply insensitive. Contradictory evaluations between judges may also cause great confusion.

Being expressive, joyful, insouciant and humorous can all come under the heading of creativity, so this too has also been falsely associated with being crazy or neurotic.

Being pretty uninhibited is usually frowned upon in our society, where we’re all expected to behave in a sure way, like cattle. When a musician is in a transcendental second, he could seem considerably loopy to a more ordinary person. A real instance was a composer who was walking down the street and impulsively had a spark of creativity and he started “thinking out loud” with his creative process, making rhythmic hand and body gestures. Some passersby may need thought there was something flawed with him, not understanding that he was merely having a transcendental or inventive moment.

One common fallacy is that it is in some way okay for a musician to play for free. The “pay to play” idea is unfortunately prevalent. Would one ask a plumber to return fix the sink without spending a dime? Not if he desires to get his sink fixed. Consider it or not, an ad was placed just lately in a certain classifieds part from a restaurant owner seeking a band to return perform at his restaurant at no cost with the inadequate alternate of “promoting themselves and selling albums”. As silly as this sounds, it is all too common. Music instructors ceaselessly get asked for free lessons. While there is nothing incorrect with doing volunteer work to help deserving underprivileged people, that is different. Would one ask an accountant to do taxes for free? Again, same principle.

Another flawed idea about musicians is that their physical appearance, behavior or demeanor needs to be unusual, different and even weird. This gets imposed rather a lot however is unnecessary. It is an incorrect habit in lots of societies. Image is image and irrelevant to demonstration of talent.

It’s also commonly thought that musicians are overly sensitive and emotionally frail, who collapse easily under the pressures of life. As talked about earlier, a musician, like some other human being, has emotions and sanity or insanity. However, quite the opposite, the musician has a certain advantage, for music can be a way of healing and venting of trauma and subsequently therapeutic to perform. This causes a fantastic avenue for relief and customarily ends in higher mental and emotional security.

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