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‘I wanted what was next for me, I wanted my next adventure- my next challenge. I’m thankful for whoever heard me. You gifted me this. No matter how dark the world might get I will always know that the light is right around the corner.

My beautiful boy Ziggy.’

The OA comes from longtime creative team Brit Marling (who also stars as Prairie) and Zal Batmanglij. The show feels like the product of buzzing minds excitedly throwing out idea after idea. The OA is as intense as it is dense, exploring the human condition, mortality, the afterlife and… the multiverse.

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‘Believe me, I would be the first to sign up. I’m already on Wisteria Lane. I’d be like, sign me up. But Marc Cherry, our creator, he feels like he has fully explored those characters. He was like why now? Why now? What would they be up to? 

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Sharing her knowledge: Amy Schumer revealed the parenting advice she gave to her longtime friend Jennifer Lawrence, who recently welcomed her first child; Pictured at Life & Beth NY premiere on March 16, 2022

That’s right. Forget Marvel. This is the show to watch if you want a rich, existential look at the interconnectedness of all things. The world of the OA is vast and the way it works follows the most unexpected rules.

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 She believes it’s not something to be ashamed of and never used it as an excuse in life: I hate to make the excuse that I’m dyslexic. I’ve always found coping mechanisms, and I’ve got got on with my life.

 The influencer knew from a young age that she wanted to follow a more creative path: ‘In school I was always in like the second set, like academically, I just accepted the fact that I wasn’t going to be the next scientist or the next English teacher.

The OA doesn’t abide by any strict TV series formula either. The opening credits don’t appear until 57 minutes into the show. It was written like an eight-hour film, with a novelistic approach. You don’t meet some of the main characters until a third of the way through.

Prairie has scars on her back and experiences traumatic episodes, but won’t burden her adopted parents with her story. Instead, she takes to the internet, finding like-minded friends via the medium of YouTube.

And season 2 is even better than the first. It becomes a noir detective story set in Silicon Valley, where kids, one of whom is played by Zendaya, are disappearing after competing in a VR game on an app. Shot with a more polished look, season 2 is slightly less bleak than the character drama of season 1. There are even attempts at humor — Marling is no stranger to comedy, appearing in Community and British series Babylon.

From here, the story functions a little like the mystery in Yellowjackets. We don’t know whether Prairie is telling her new friends the truth or not. We don’t know whether she truly has supernatural powers. To them, it doesn’t entirely matter. She brings unhappy, trapped people together, showing them the same kindness and understanding they’ve afforded her. Showing them an escape.

It glues itself together with realistic, loyal characters bonded by their harrowing shared ordeals. There’s even a believable love story, a flicker of warmth amid the creepy science, cryptic puzzles and trippy imagery.

Netflix made a mistake by canceling this show. Many fans believed it was a publicity stunt — there was no way the streamer would stop funding this acclaimed, if expensive, series intended for five seasons, each wildly different in style and setting from the previous.

The OA is difficult to describe, because it sews a handful of different genres into its own ethereal plane. The OA is surreal at times. Yet instead of floating images gently knocking against each other, the sci-fi here is delivered with the grounded assuredness of a Christopher Nolan movie. It moves with the same relentless force.