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After releases like Grand Theft Auto IV, Red Dead Redemption, L.A. Noire, and Max Payne 3, Rockstar had developed a fame for creating not just interesting virtual worlds, but strong stories as well. Each of its games from this period offered beautiful, well-realized environments and narratives that appeared completely sure of what they have been trying to say. Wantless to say, the 2013 release of Rockstar North’s Grand Theft Auto V generated a substantial amount of excitement. For those hoping for one more virtual sandbox to lose themselves in, the game delivered. The assured storytelling that had come to define the developer/publisher was less evident, though. GTAV as an entire is both enormously successful at executing on one side of its design and immensely disappointing in another. This similar mix of ambitious environmental world-building and uneven writing that characterized the unique version of the game—and polarized its players’ reactions—is essentially maintained by its most recent release on the PC.

The computer model of GTAV may be very a lot the same game because the one launched nearly years ago. Its plot, which follows a trio of characters whose criminal activities typically intersect with each other, stays as frustratingly goalless as earlier than (more on this in a bit), however its SoCal-inspired San Andreas is a more inviting setting than it was within the past. Regardless of the typically limpid puns that provide the state’s enterprise names (the stock market BAWSAQ or the usstand-in Post-Op) and the self-consciously silly dialogue muttered by pedestrians, the artwork design and obsessive consideration to element makes San Andreas a wonderful place to simply explore. As Franklin, Trevor, Michael, or a custom-made online multiplayer character, spending time driving, running, flying, and boating across the state is a sublime experience. During a clear noon, the sun shines with enough intensity that it appears to bake the pavement; bailing off a jet ski into a uneven, evening-time sea a couple of kilometres from the coast feels as perilous as a real-world close to-drowning; speeding across the transition from city sprawl to ramshackle desert town instills the sense that San Andreas is an actual physical space.

On the computer used to evaluate the game (which has an i5 4670K 3.40GHz CPU and a GeForce GTX 770 GPU), a mixture of “High” and “Very High” graphics settings served to vastly increase the already spectacular world design. The game’s visual fidelity, even without maxing out each one of the settings, is drastically elevated from the PlayStation three and Xbox 360 variations (and a decent bump up from the 2014 console ports). In many other games, this kind of graphical boost wouldn’t be so noteworthy. In Grand Theft Auto V, it significantly improves the overall experience for the reason that atmosphere established by Rockstar North’s team is the game’s greatest strength. The kind of incidental moments talked about above are incredible, the impact they have making it easy for players to lose themselves in exploring a pseudo-California where parachuting from airplanes or speeding over hills on filth bikes is accompanied by beautiful visuals. The improbable soundtrack and wide array of vehicles—each of which handles uniquely—makes the expertise hard to develop tired of.

The PC version’s addition of an intuitive video editor and the inclusion of an option to play from a primary-individual perspective additional bolster these strengths, centered as they’re on interacting with the game’s sprawling, exactingly detailed environment. While impressive visuals aren’t an important facet of every videogame, in Grand Theft Auto V they work to create an nearly tangible sense of place that helps compensate for other weaknesses.

This is essential because, despite the many improvements found within the pc model, there’s still the matter of the game’s surprisingly lacklustre narrative. While the plot gets off to a adequate start—its institution of the three predominant characters deftly accomplished with solid dialogue writing, cutscene direction, and voice appearing—the promise of additional story development is never delivered. As the player carries out mission after mission—the best of which stretch the series’ shooting-and-racing formula to its limit with concerned, multi-stage heists—a sense of intentionlessness and intense pessimism begins to set in.

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